production print · colour beyond CMYK
Bring commercial colour production and an optional fifth station together. Create distinctive print with gold, silver and other special-toner effects, flexible media handling and a workflow built around your applications.
The Pro C7500 brings together commercial colour printing, flexible media handling and an optional fifth colour station. Explore the technology behind the work—from a personalised mailer to a metallic-accented cover—and specify the press around your applications.
Explore commercial print, personalised communications and extended-format applications.
explore applications
Discover gold, silver and other fifth-station effects alongside production colour control.
explore colour & fifth station
See how press controls, Fiery options and automated adjustments support the workflow.
explore productivity
Connect feeding, folding, booklet making and stacking to the jobs you want to produce.
explore finishingCheck paper sizes, media weights, print speed and finishing options.
keep exploring
light production · colour
Bring professional colour production into a compact footprint. The Pro C5400S and C5410S combine flexible media handling, scanning and optional Fiery controllers for in-house print rooms and commercial short runs. Compare each model’s speed, feeding and finishing options below.
high-volume production · colour
A high-volume colour press for commercial print, combining a broad media range with configurable inline feeding and finishing.
production press · monochrome
Dedicated print and multifunction configurations for high-volume monochrome documents, manuals and book production.
Different applications place different demands on the press. Match stock, sheet size, colour treatment and finishing as one production workflow.
Suitable feeding options extend the supported range from 40 to 470 g/m². Configure long-sheet feeding for sizes up to 330.2 × 1,260 mm, creating room for fold-outs, extended covers and promotional formats.
Media type, weight and sheet length must be matched to the selected tray, printing mode and finishing equipment; maximum figures do not apply to every combination.
Bring covers, text pages and inserts together for catalogues, training manuals and customer information packs. Different stocks can give each part of the document its own purpose, from a durable cover to lighter internal pages.
Choose compatible folding, trimming and booklet-making equipment around the finished format. Paper weight, page count and fold direction all affect the result.
explore finishing
Use variable-data printing to change names, offers, messages and images within a run. It gives direct mail, promotional offers and customer communications more flexibility than a single design printed identically for everyone.
A suitable digital front end and composition software bring the artwork and data together. Check data accuracy, address placement and a representative proof before releasing the job.
Explore textured papers, selected metallic stocks and short-run packaging applications. The stock itself can become part of the design, with special-toner accents providing another option for covers and promotional pieces.
Confirm the particular material and coating, then test feeding, toner adhesion and the intended crease or fold. A supported paper weight alone does not establish that every speciality substrate is suitable.
explore fifth-colour effects
The Media Library stores paper settings for repeat work. The Media Identification Unit helps match a stock to library settings, giving operators a starting point when introducing new media.
Register the selected stock, proof image quality and front-to-back alignment, then retain the working settings for the next run. This connects creative media choices with a repeatable production process.
Long sheets can support extended covers, fold-outs and promotional formats that do not fit a conventional sheet. Plan the flat artwork size and finished folds together, then select a compatible feeding and output path. The 1,260 mm maximum sheet length is not a promise of duplex printing or inline finishing at that length.
check sheet and equipment specificationsApplication illustration; not a production sample.
Use the optional fifth station to add a special toner beyond CMYK, then build the artwork, media profile and colour-control workflow around the effect.
Metallic toner can bring emphasis to a cover, an invitation or promotional packaging. Gold and silver can also be combined with process-colour artwork to create different metallic shades, including rose-gold and blue-silver effects.
Specify the fifth-station configuration and selected toner for the application. Gold and silver are separate toner choices—not two additional stations running together.
Give promotional graphics, retail materials and event print a more vivid colour treatment. Neon toner can be used as a design accent or combined with process-colour artwork to explore colours beyond a conventional CMYK treatment.
The selected toner, artwork and colour profile determine the effect. Review a physical sample: a screen cannot reproduce the appearance of fluorescent print.
White can form a base beneath colour on suitable dark or translucent media, or stand on its own as a visible design element. Clear creates selective accents over graphics, photographs or logos.
These are separate toner choices. Specify the intended layer sequence and media; discuss additional passes if a design calls for more than one special toner.
UV-responsive toner can add a verification mark to tickets, certificates and other documents. The mark becomes visible under suitable UV light, creating a different application from a decorative metallic or neon effect.
Plan how the document will be checked as well as how it will be printed. Invisible red is one element of an authentication process, not a stand-alone guarantee against counterfeiting.
White, clear, neon pink, neon yellow, gold, silver and invisible red are alternatives for one fifth station—not seven extra stations operating together.
Ricoh sample imagery illustrates possible applications. Metallic, clear, fluorescent and UV effects vary with lighting and cannot be judged fully on a screen. Ask to see a printed sample for your proposed stock and artwork.
VCSEL imaging and PxP toner support fine text, line work and image detail. Ricoh Australia lists 2,400 × 4,800 dpi output, with an engine resolution of 1,200 × 4,800 dpi. Inline sensors and registration adjustments help manage alignment and colour consistency during production.
Combine press calibration, appropriate media profiles and proofing procedures for colour-critical jobs. Where a wider colour-management workflow is required, explore Ricoh Auto Colour Adjuster alongside the selected controller and production process.
Press speed matters, but so do job preparation, media setup, operator access and the flow of finished work. Configure these together for your production mix.
The 21.5-inch Full HD touchscreen brings press status and job controls into the operator workspace. Review paper and supply status, machine configuration and job settings from the panel.
Optional Fiery Color Controllers N-50A and N-70A provide alternative digital front ends for colour and production workflows. Select the controller and licensed software around file processing, personalisation, colour management and workflow integration.
Standard A4 long-edge-feed speed is 85 pages per minute. The optional Productivity Upgrade Unit Type S14 raises this to 95 ppm. Actual job throughput depends on media, sheet size, processing, colour sequence and finishing—not just rated engine speed.
Choose vacuum-feed and stacking options around the stocks and run lengths you use. Ricoh lists a maximum input capacity of 16,200 sheets with the appropriate options; the installed configuration determines the actual capacity.
Long-sheet production also needs a compatible feeder and output path. Plan loading, changeovers and collection alongside the press speed.
Stored media settings and automated inline adjustments help operators prepare repeat jobs and maintain output. Retain proven settings for recurring work and check new media before the full run.
The Media Library connects paper selection with image-quality settings. It provides a starting point for preparation rather than replacing the need to proof the actual job.
Tray indicators help operators see which trays are in use when planning paper replacement. On-screen jam guidance supports the steps needed to clear a paper-path interruption.
Clear machine status and accessible controls help operators manage the work between jobs as well as during a run.
Plan finishing at the same time as print. The selected sheet size, stock and run length influence which output path is suitable.
Configure compatible folding, punching, trimming, stacking and booklet-making options around the work. A brochure run, a mixed-media manual and a long-sheet promotion do not necessarily use the same equipment path.
Finishing limits vary by module, stock and booklet construction. Check the complete combination rather than assuming that the press’s maximum media range also applies to every finisher.
Ricoh Australia lists PBM5035 and PBM5035S options within the C7500 configuration information. For a PBM5000-series workflow, discuss the required interface, staple or stitch version, booklet format and paper stock as one system.
Vacuum-feed, banner-sheet and stacker choices influence how operators load and collect work. Long-sheet jobs require a compatible route from the feeder through the engine to the output module.
Review the key figures, then open the full specification groups for the press and its listed options.
let’s talk print
Tell us what you print, your volumes and where you want to go. We’ll help you explore the next step.
